Galactic took over Brooklyn Bowl for two sold out nights in a row. The legendary funk band, known for their soulful song selection and electrifying performances, proved once again why they’re a must-see act in the live music scene. The insanely talented New Orleans-based band delivered nothing short of a crowd pleasing set. Each member brought their A-game, from Stanton Moore’s explosive drum solos to Ben Ellman’s soul-stirring saxophone riffs, but the real show stealer is the frontwoman and lead singer: Anjelika Jelly Joseph. 

Mayer Hawthorne

Chulita Vinyl Club was spinning classic dance pop hits as audience members awaited Mayer Hawthorne, a Motown Grammy nominated disconaut. Mayer began his musical journey as a hip-hop DJ in Detroit and began recording his own Motor City grooves to avoid paying fees for sampling other artists’ work. He played all the instruments on each of those tracks, recorded all his own vocals, and the rest is history. Ten studio albums later, he’s now touring for his latest album, For All Time – and back in Brooklyn ready to serenade us with luscious R&B tones and sweet melodies. 

Umphrey’s McGee

Not just your typical cap to a four-night run, Umphrey’s McGee also happened to be celebrating its birthday. On the 26th anniversary of their first ever performance, the six power jammers took to the stage, eager to celebrate. The group walked out to the forceful and uplifting tones of “Nipple Trix” as they took their stations and began to improvise in classic Umph-fashion. A quick turn into “Phil’s Farm” brought smiles to the crowds’ faces as the band sprinted through the plucky lyrics and heavy guitar licks. The song quickly broke out into six minutes of funk-down before returning into the ending riff under the guiding hand of Joel Cummins’s sweet Sunday organ action. A fierce solo from lead guitarist Brendan Bayliss followed a sharp close left everybody titillated and excited for more. 

High Time

The five-piece band, made up of Pete Tonti (lead guitar/vocals), Michael O’Neill (rhythm guitar/vocals), James Preston (bass/vocals), Kevin Uehlinger (keys/vocals), and Adam Kriney (drums/vocals), delivered classic song after classic song across two sets. The band focused on the first decade of the Grateful Dead’s music, and we were treated to tunes including “Jack Straw,” “Friend of the Devil,” “Playing in the Band,” “Truckin,” “The Other One,” and “Wharf Rat.” The veteran musicians deftly accomplished the somewhat elusive goal of a tribute band: providing a familiar touchstone for long-time fans while also bringing their personal sound to the stage.

The South Hill Experiment

The South Hill Experiment is the brainchild of two brothers, Baird (guitar) and Gabe (keys) Acheson, who were joined live by Tim McNalley (bass), Mano Ruiz (drums), and Ryan “Buck” Raines (drums). Writing and recording from their minimalist studio on South Hill Street in Los Angeles, the brothers seek to create music that swerves away from the algorithm-pandering hit machine that seems all too prominent in the LA music scene. To do this, they let their music emerge from a series of long and spontaneous jam sessions, taking the kernels that are born from this and crafting them into songs.

Joy (Anonymous)

Nestled in the heart of New York City, Knockdown Center is not just a venue – it’s an architectural anomaly, and it was the perfect backdrop for Joy (Anonymous) to cast their musical spell upon a packed crowd. Henry Counsell and Louis Curran make up the DIY electronic duo bringing London’s West Bank to the rest of the world. Fresh off the release of their second EP in November, their raw talent was palpable at the mid-December show.


Baby’s All Right in Brooklyn, New York, was the place to be on a cold Thursday night, where the spotlight was on veggi (aka veggibeats), an artist who has been making waves in the online music scene with his unique mash-ups and boiler room style performances. A Los Angeles native whose career took flight during the TikTok boom in early 2020, veggi’s videos have garnered over 200 million views. With over 1.5 million fans across platforms, we wanted to see if his online fan base could bring it to a real venue, and he was certainly able to fill the late-night spot at Baby’s All right from wall to wall.


Nothing says a balanced diet quite like eggs, gin, and a whole lotta jam. Jam heads and Phans alike packed into Brooklyn Bowl the weekend before Thanksgiving for a tri-state area hometown throwdown provided by local favorites Eggy and Stolen Gin. Walking into the Bowl, we could smell a blend of earthy notes and hints of patchouli carried mixing with the contagious energy of excitement, community, and intricate musical improvisations. It was neither band’s first performance at the venue this year, but it would most likely be both of their last, so the fans were pumped. 

Razor Braids

Walking onstage in their signature red monochrome Western-themed ‘fits at Baby’s All Right, Razor Braids gripped audiences with their electrifying and dynamic performance of soulful rock ballads and infectious indie rock anthems like “Nashville” and “She.” Hollye Bynum (bass/lead vocals) and Jilly Karande (rhythm guitar/backing vocals) both showcased heartfelt vocal performances on ballads like “Megachurch,” and Sid Nichols (drums) and Janie Peacock (lead guitar) both impressed audiences with electrifying solos and punching rhythms throughout the set.


As we walked into The Hall at Elsewhere on November 16th, we immediately noticed a foliage-coated stage at the front of the room. One that, as it turned out, would create the perfect canvas for LEISURE’S wonderful Brooklyn show, a stop on their Leisurevision tour. As our anticipation grew, jungle sounds began reverberating through the venue, and the musicians, who were decked out in turtle necks and bucket hats, took to the stage.